Tuesday, 7 June 2011
Martin Jol
Should've been a relative walk in the park but this one needed about five attempts - goes like that sometimes...
Wednesday, 1 June 2011
Internal Wall Sign For Studio
Here are some snaps of some studio decoration I recently undertook. Now and then I like to make a print or frame an image and try and spruce up the joint. The five images on the left (top to bottom) shows the original layout for a wall mounted image I wanted to go in my studio. I took the digital files round to a mate who's got a large scale colour printer who turned them into vinyl adhesive prints (giant stickers, basically).
In the top/right image you can see I've started to cut up the individual images as the prints came out on one sheet.
The right/middle image shows a crop of Steve Buscemi which has already been applied (wet) to the blank sign material. This is made out of dibond, which is a thin polyethylene core sandwiched by two thin sheets of aluminium and comes in various colours. Dibond (or alupanel, as it's sometimes called) makes for a strong but slim sheet material and with its attractive finish it's great for signage.
The bottom/right image shows the finished sign fixed with gold wall mounts.
Job done!
In the top/right image you can see I've started to cut up the individual images as the prints came out on one sheet.
The right/middle image shows a crop of Steve Buscemi which has already been applied (wet) to the blank sign material. This is made out of dibond, which is a thin polyethylene core sandwiched by two thin sheets of aluminium and comes in various colours. Dibond (or alupanel, as it's sometimes called) makes for a strong but slim sheet material and with its attractive finish it's great for signage.
The bottom/right image shows the finished sign fixed with gold wall mounts.
Job done!
Sunday, 8 May 2011
Steve Buscemi
Saturday, 7 May 2011
Saturday, 26 March 2011
Wednesday, 2 March 2011
Gustav Mahler
Tools: Ps2 + Cintiq
I'm slap in the middle of a some busy painting so I've just got time to try and finish some drawings that were temporarily abandoned for whatever whim or fancy overtook them at the time. So; here's another baton-jocky to add to the collection.
Right! Back to the day job...
I'm slap in the middle of a some busy painting so I've just got time to try and finish some drawings that were temporarily abandoned for whatever whim or fancy overtook them at the time. So; here's another baton-jocky to add to the collection.
Right! Back to the day job...
Thursday, 17 February 2011
Sunday, 13 February 2011
Sunday, 6 February 2011
Saturday, 5 February 2011
Thursday, 27 January 2011
Tuesday, 25 January 2011
Carlos Tevez
At last Carlos is on the field. He's been sat on my virtual bench since last July. I know he's not with the reds anymore but it's languished for so long on my hard drive that he's half way to retirement, ha, ha!
Monday, 24 January 2011
Technique part 3 - Brian Cowen (stage1)
OK, I've had a few emails recently asking about improving caricature skills, etc. so I thought I'd re-iterate here a point I consider very important. And that's if you don't get your basic morph (exaggeration) correct then all the fine digital painting or finely hatched pencil work is not going to make a successful caricature. Ever.
If you're not getting a successful caricature at the line stage then you will never improve on it by rendering it to death in whatever medium you're using. The above line drawing of the exiting Irish Prime minister Brian Cowen hopefully illustrates how, technically, if you've got the line right then you can stop right there. Job done. Also, good lines in a good line drawing will have body and weight to them and will suggest the volume of the character it describes. A good place to see this is in the line art of the great Marvel artists of yesteryear.
The purpose of fine hatching (or the painting in of every blood vessel and liverspot) is to add the 'Wow' factor, and never to make the caricature more 'successful'.
Therefore, your succesful caricature relies on two things: great morphing and great rendering of medium, but only great morphing can stand alone.
Now I'm off to add a load of furious cross-hatching to the above, ha, ha!
Keep on creatin'!
If you're not getting a successful caricature at the line stage then you will never improve on it by rendering it to death in whatever medium you're using. The above line drawing of the exiting Irish Prime minister Brian Cowen hopefully illustrates how, technically, if you've got the line right then you can stop right there. Job done. Also, good lines in a good line drawing will have body and weight to them and will suggest the volume of the character it describes. A good place to see this is in the line art of the great Marvel artists of yesteryear.
The purpose of fine hatching (or the painting in of every blood vessel and liverspot) is to add the 'Wow' factor, and never to make the caricature more 'successful'.
Therefore, your succesful caricature relies on two things: great morphing and great rendering of medium, but only great morphing can stand alone.
Now I'm off to add a load of furious cross-hatching to the above, ha, ha!
Keep on creatin'!
Sunday, 23 January 2011
Wednesday, 19 January 2011
Monday, 17 January 2011
Susannah York...
...who has exited stage left for the last time. My main memory is from watchin' endless repeats of The Battle Of Britain on Saturday afternoon tv. Who wants to bet it's made the schedule for this weekend?
Sunday, 9 January 2011
Stevie Wonder
Coming towards the end of the creation of all the individual roughs for the canvas. Stage 2 is to pull all the characters together and work out a composition for them all.
Wednesday, 5 January 2011
Monday, 3 January 2011
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